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Pamela Bob is a New York based actor and singer who has played various roles in New York and regional theatres across the country. Her style ranges from standards and contemporary musical theater to bluegrass, swing, blues and folk, comedies, dramas and everything in between.
New York theatre includes How To Save the World and Find True Love...(New World Stages), People Like Us and Neo (the York Theatre), as well as various workshops and readings. Regional favorites include the Cincinnati Playhouse, Alpine Theatre Project, NJ Rep., Peterborough Players, Capital Rep., Arts Center of Coastal Carolina, Asolo Theatre, Barter Theatre, Riverside Theatre, Barrington Stage Co., and more!
Talkin' Broadway named her Best Actress in a Musical for her performance in People Like Us. She won the Metrolina Theatre Award for Best Actress in a Musical for her portrayal of June Carter in Wildwood Flowers: the June Carter Cash Story.
Pamela's newest project is a concert series singing the Mandel & Lydon Songbook, which opened at the Cornelia St. Cafe in New York City this year. More concert dates and CD to come! Pamela is a graduate of the University of Cincinnati, College-Conservatory of Music and a proud member of Actors Equity Association.
For more information, contact:
Bobbie Merritt, Manager--The Entertainment Group
Annette Paparelle, Mary Haggery--Artists Entertainment Agency
About Good Ol' Girls, Pamela Bob says:
When I was asked to be a part of Good Old Girls by director Bo Thorp in 2008, I did not know what I was getting myself into. I had been directed by Bo previously in another production in which I had portrayed a Southern character, so I trusted that she knew I could handle the show. I hadn't received the script and music until the day before I arrived in North Carolina, and read it for the first time while on the plane. To my amazement and delight, I immediately knew, just a few pages into the script, that I was about to be a part of something truly unique. The writing was intricate yet simple, multi-layered, rich, funny, sad--an actor's playground! The music was beautiful, fun, diverse and didn't follow the typical "mold"--a singer's dream! But more than that, I had the great good fortune to be able to create, play, trust and become "family" with this amazing group of women. We were all so....different! But we all loved and respected each other for those differences. And I guess, that's what a Good Ol' Girl really does! One more notable thing: Good Ol' Girls are NOT just from the South! Although the writers and composers have written material that are distinctly Southern, Good Ol' Girls are EVERYWHERE! I've seen them in the woods of New Hampshire to the mountains of Montana to the streets of New York City.. We all can see ourselves and each other in these wonderful characters, which is why it is such a universally appealing show. I am a lucky Good Ol' Girl!
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